Hindu temples - North Indian Temples
The Nagara style which developed for the fifth century is characterized by a beehive shaped tower (called a shikhara, in northern terminology) made up of layer upon layer of architectural elements such as kapotas and gavaksas, all topped by a large round cushion-like element called an amalaka. The plan is based on a square but the walls are sometimes so broken up that the tower often gives the impression of being circular. Moreover, in later developments such as in the Chandella temples, the central shaft was surrounded by many smaller reproductions of itself, creating a spectacular visual effect resembling a fountain.
Hindu temples - South Indian Temples
From the seventh century the Dravida or southern style has a pyramid shaped tower consisting of progressively smaller storeys of small pavilions, a narrow throat, and a dome on the top called a shikhara (in southern terminology). The repeated storeys give a horizontal visual thrust to the southern style.
Less obvious differences between the two main temple types include the ground plan, the selection and positioning of stone carved deities on the outside walls and the interior, and the range of decorative elements that are sometimes so numerous as to almost obscure the underlying architecture.
Bearing in mind the vast areas of India dominated by the ‘northern’ style, i.e. from the Himalayas to the Deccan, it is to be expected that there would be distinct regional variations. For example all of the following are classified as Nagara - the simple Parasuramesvara temple at Bhubaneswar in Orissa, consisting only of a shrine and a hall; the temples at Khajuraho with their spectacular superstructures; and the exquisitely carved Surya temple at Modhera. On the other hand the ‘southern’ style, being restricted to a much smaller geographical area, was more consistent in its development and more predictable in its architectural features and overall appearance.
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